Andy McConnell
A new body of shou sugi ban work. Charred cedar surfaces reading like geological time, embedded black glass catching light at the threshold between solid and void, end-grain discs pulled in green — the wood's own growth rings turned outward. Material salvaged from job-site dumpsters and free piles on the side of the road, doubly grounded in place.
Pacific Northwest. Fairhaven College, poetry and painting under Robert Sund. Master's, Bastyr University. Influences: Mark Tobey, George Tsutakawa, Alexander Calder, Henry Moore.
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