Media & Journal

From inside the gallery.

Notes from Bainbridge Island and Park City — the shows, the artists, and the work behind the work.

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On view now

Golden Hour

Lisa McShane · Lolly Shera · Parvin · Brooke Borcherding · Erica Nordean · through October 1

Golden Hour

Late light, long shadows, the season turning. Works that hold the quality of afternoon at the edge of autumn.

View the exhibition → Next: Unrehearsed, opening October 2

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YouTube

Every reel the gallery makes, in one place — the shows and the artists, work by work.

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Instagram Reels

The same short-form content, plus exhibition photography and behind-the-scenes from installation days.

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From the journal

Notes, observations, and the longer view.

Unrehearsed opens October 2. Bamboo split by hand, paint laid down without a sketch.

Charissa Brock splits harvested bamboo by hand and sews it into forms that read as tools, shells and star charts before they read as sculpture. Parvin paints beside her the way she always has: no study underneath, colour answered by colour.

Why a whale: Britt Freda took a line from Strauss and painted a bay in Mexico

The title of the painting at the centre of Sanctuary is a line from Ariadne auf Naxos. The aria it comes from calls music the holiest art, the one that unites all who can dare. Freda took the daring for her title and the holiness for her subject — and worked Strauss's score into the panel itself.

Sanctuary opens August 7. Two painters, nineteen works, and a whale.

Britt Freda went to Mexico last winter, newly empty-nested, and was greeted on the boat by a breaching humpback. The painting that came of it is five feet of whale rising through a sea built entirely of stones. Teresa Smith holds the quieter register of the same island.

Additions opened June 5. Two artists joined the program.

Ross Collado paints belonging in layered mixed media; Tamera Abaté builds landscapes from as many as thirty fused layers of beeswax, tree sap and pigment. Both joined the permanent program.