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Artwork
View Point
The most conventionally resolved landscape of the eight, and the one that shows how much structure sits under the looser work. A shoreline crosses the lower third; the water is cream and pale gold, taking the light almost flat. A headland of dark firs closes the left, two more stand in the right foreground, and lavender-grey hills lie across the back under a warm yellow sky. Smith keeps her thick calligraphic boughs in the foreground trees while the distance is thinned to washes. The picture is quiet, and it is quiet on purpose.
This work may be acquired over time · arrangements on request
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Provenance
Research file included
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Acquire
By inquiry above $250
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Shipping
Worldwide, fully insured
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